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Saturday, 8 March 2008

According to Michelle Tsai:

[I]f you listen to Buckley's many debates—with Gore Vidal, Noam Chomsky, and others—the first thing you'll notice is a distinctly British rhythm and melody. His pronunciation was likewise British-influenced in its lack of rhoticity—meaning he drops his "r"s. (An American "r" is generally pronounced with a tongue curled about 45 degrees; the Brits leave their tongues flat. Buckley is often somewhere in the middle.) This style of speech used to characterize upper-class New Englanders as a whole, since many of the region's earliest settlers hailed from (old) England. (Fewer "r"s were dropped among the more diverse mix of immigrants in New York.) There's also the yod, which is the "ew" sound in music and usual—like our friends across the pond, Buckley keeps the yod for words like news and pursue. He also pronounces the "t" in words like writer. And for vowels in words like thought and wrong, he rounded his lips, not unlike the English. Meanwhile, he stressed few words when he spoke but would pounce on an important one, every once in a while. (Contrast with John Wayne, who tended to stress every single word, in exactly the same way.)

I'd never heard him speak until I read this article, so I had a quick listen on YouTube. I think he sounds like a not-fully-Americanised Quentin Crisp.

Posted on 03/08/2008 11:52 AM by Mary Jackson
Comments
8 Mar 2008
Send an emailRebecca Bynum

I met Mr. and Mrs. Buckley once in their home in New York. He was very polite and spent a good deal of time talking with my husband and me, people he had never met before. Pat was very tall and had a regal bearing. She was dressed very beautifully in a silver color that matched her hair.

I must say that I have never seen an apartment decorated quite so flamboyantly before. Mrs. Buckley's study, for example, was painted a very loud shade of red. The whole place was done in aggressive colors and heavy tapestries. They had some very beautiful small Medieval (possibly 15th century), pieces along with large abstract moderns. It was very individualistic.

One might form the impression Buckley was stuck-up because of his accent, but I didn't find that to be the case. He was very personable and seemed genuinely interested in his guests - just like on Firing Line. He didn't seem to have two personalities (one for public consumption and one in private) the way movie actors and singers often do. He was the same way on and off stage. I think that shows character. I liked him and I'm glad I met him.



8 Mar 2008
Send an emailMary Jackson

Buckley sounds to have been very down to earth and friendly from what people say about him. His accent is odd, though, for an Amercian. He doesn't sound stuck up to me, but posh, which is not the same. And very English, in the way that some posh Scottish people from Edinburgh sound more English than the English.



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