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Recent Publications by New English Review Authors
Not With a Bang But a Whimper: The Politics and Culture of Decline
by Theodore Dalrymple
In Praise of Prejudice: The Necessity of Preconceived Ideas
by Theodore Dalrymple
Defending The West:
by Ibn Warraq
Nations, Language and Citizenship:
by Norman Berdichevsky
Romancing Opiates
by Theodore Dalrymple
Which Koran?
by Ibn Warraq
Our Culture, What's Left of It
by Theodore Dalrymple
What The Koran Really Says
by Ibn Warraq
Life at the Bottom
by Theodore Dalrymple
The Origins of the Koran
by Ibn Warraq
Why I Am Not Muslim
by Ibn Warraq
Spanish Vignettes: An Offbeat Look Into Spain's Culture, Society & History
by Norman Berdichevsky
Leaving Islam
Edited by Ibn Warraq
Saturday, 9 August 2008
Dumb Britain (continued)

Not so much dumb as tone deaf. All must have musical prizes, even if they can't read a note. The Times reports on yet another example of the decline of educational standards:

Asked how he made his music more forceful than others, Keith Moon, The Who’s hellraising drummer, replied: “Hit the drums harder.” The advice would have stood him a strong chance of a GCSE in music.

To the consternation of musicians, tutors and critics, an inability to understand sheet music has now become no hindrance to success at GCSE. Students can achieve a Grade A without reading or writing a single note.

Research by BBC Music Magazine has revealed that none of the main examination boards awards more than 20 per cent of total marks for being able to read music.

Damon Albarn, the singer and songwriter for Blur and Gorillaz, whose debut opera was performed at the Royal Opera House last month, called the situation disgraceful and said that it could cut young people off from their musical heritage.

Julian Lloyd Webber, the cellist, said it was like “trying to study a language without studying the alphabet”.

Previous generations of 16-year-olds studying music as an academic subject at school were under much more pressure to demonstrate a proper understanding of written music. An O-level music paper for the Associated Examination Board in 1978, for example, asked students to set a verse of poetry to music on a page of empty staves, with credit given for good accentuation of the words and an appropriate melody.

Now the national curriculum does not mention staff notation until Key Stage 3 (ages 11 to 14) and pupils need only to “identify” it.

[...]

Lloyd Webber said that it was ridiculous to ignore “a system of notation that has been developed over hundreds and hundreds of years and has stood the test of time” just to make exams easier. “It’s leaving anyone who wants to do music in the future with a severe disadvantage — a handicap.”

There are signs of a change of heart at the QCA, however. From next month KS3 national curriculum stipulates that requirements should include “using traditional staff notation”.

Posted on 7:51 AM by Mary Jackson
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Announcing the First Annual
 New English Review Symposium
 Roots of the Arab-Israeli Conflict
& Strategies for the Future
May 29th & 30th
Loews Vanderbilt Plaza Hotel
Nashville, TN.
 
Speakers Include:
Richard L. Rubenstein
Ibn Warraq
Hugh Fitzgerald
Nidra Poller
Andrew Bostom
Rebecca Bynum
Norman Berdichevsky
Jerry Gordon
Bill Warner
& Brian of London
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