Sunday, 24 January 2010
'Sexy dancing' ban fuels fears of Islamic laws

From The Scotsman
THE arrest of four women for "sexy dancing" during a Hogmanay party in Bandung has raised worries this may be the prelude to wider Islamist restrictions in Indonesia.
The women, as well as a manager and event organiser, could become the first people charged under a one-year-old anti-pornography law banning public displays of naked flesh.
However, performers, some politicians and academics fear the zealotry behind the law could also proscribe traditional dancers and wedding parties.
The law was brought in with the backing of the small but influential Islamist political parties in the country.
Critics said the parties' real intention was to use the law to spread fundamentalist Islam to control artistic and cultural expression in a multicultural society. The law, they warned, threatens pre-Islamic cultures, which have long co-existed with moderate Islam
Hafizh Utsman, 70, leader of the West Java branch of the Indonesian Ulama Council, the leading clerical organisation, is pleased with Islam's growing influence in Bandung, and would like to see a more widespread crackdown.
"We are trying to eliminate the non-Islamic parts of West Java's traditional culture, to make it more Islamic," Utsman boasted. For example, he said that participants at weddings are urged to celebrate by reciting Koranic verses, not by dancing, as is the custom.
To that end, the governor of West Java, where Bandung is located, cited the anti-pornography law to criticise a local dance called jaipong as being too sensual.
The dance, which is rooted in West Java's Sundanese culture, features graceful movements of the arms and hands as well as swinging of the hips.
However, fearing that the Sundanese culture was under attack, Nanu Munajah Dahlan, 49, a dancer, has formed a jaipong support group in Bandung's outskirts.
In recent years, he said, Sundanese culture has lost ground to the Muslim fundamentalists.
For example, at official events, the kecapi, a Sundanese stringed instrument, was played less often than the rebana, a drum used in Islamic music.
At official events featuring jaipong dancers, government officials pressed organisers to tone down the dancers' alleged sensuality.
But Nanu refused and, in a recent after-school dance lesson, he was pursuing his protest as elementary and secondary school girls accompanied by their mothers came to practise the jaipong.
The girls danced to songs about the flower of a yam or a tiger awaking from a deep sleep. The jaipong dancer, Nanu said, represented the goddess of rice. Her movements symbolised her fertility.
"I'm Muslim, but I also want to keep our traditional culture," Nanu said.
He feared, though, that the arrest for "sexy dancing" under the anti-pornography law may only be the beginning.
"I'm worried that we could be next," he said.
Though a couple of weeks have passed since the arrests, it was still not clear what happened at Belair, which showcased bikini-clad women dancing on a bar counter.
Arman Achdiat, the Bandung police chief of detectives, said the authorities had received complaints, via text messages, that the dancers had gone beyond bikini dancing and offered customers flashes of full nudity. "This happened at private table dances," said Achdiat, declining to say whether investigators caught the dancers in the act.
"There's always been some debate over why Bandung was called the Paris of Java," Rajab (Budi Rajab, 49, a sociologist and expert on Bandung at the local Padjadjaran University) said. "Was it the cool weather? Or was it because the women here were considered more beautiful? When I examined colonial-era documents, it was clear that it was the beautiful women."
But just as the power of religious and political conservatives has grown nationwide in the past decade, there has been a movement here to take the Paris out of Bandung.
Dada Rosada, the two-term mayor, has tried to close the city's old red-light district, Saritem.
"It existed for 200 years and I shut it down," Rosada said, adding that he wanted to keep gambling and sexy dancing out of the city. "If people want gambling, they can go to Singapore or Malaysia. If they want sex, they can go to Thailand,”

Posted on 01/24/2010 10:59 AM by Esmerelda Weatherwax
Comments
24 Jan 2010
George McCallum

Dance, then, wherever you may be
I am the lord of the dance said he
And I lead you all wherever you may be
And I lead you all in the dance said he

I danced on a Friday when the world turned black
It's hard to dance with the devil on your back
They buried my body; they thought I was gone
But I am the dance, and the dance goes on

Pick your poison - the devil or Islam.  Not sure which is worse to have on your back, or if there is even any difference.



24 Jan 2010
Send an emaildumbledoresarmy

Observe.  First, the attack on the surviving remnants of the pre-Islamic culture: Hafizh Utsman..."we are trying to eliminate the non-Islamic parts of West Java's traditional culture, to make it more Islamic".  See  V S Naipaul in 'Among the  Believers' and 'Beyond Belief' on Islam's obsessive drive to erase the memory, the culture, the history of those peoples that it 'converts'.   *Everything* contrary to Islam, or before Islam, is jahiliyya, 'ignorance'.

What happens, of course, is that as they are Islamised they are Arabised - stripped of everything else and reprogrammed with the (Muslim) version of 'Arabia': see Anwar Sheikh on Islam as the Arab National Religion.   Language, dress, law...

Note also the fact that 'the kecapi, a Sundanese *stringed instrument* was played less often than the rebana, a drum used in Islamic music'.

Sharia, basing itself on a number of hadith, explicitly anathematises both vocal and instrumental music, whether sacred or profane: flutes and stringed instruments are particularly singled out for contempt and destruction.  But note that drums - associated in many cultures, btw, with *war* - seem to sneak past the ban...the Ayatollah Khomeini, interviewed by Oriana Fallaci, while expressing absolute contempt for western classical music, grudgingly admitted that there might be a place for 'marches' - i.e. for music with a strictly warlike purpose.