Muslim Junaid Thorne: You Have Freedom Of Speech, And We Have The Freedom To Kill You

2 Responses

1. He sounds like the Anjem Choudary of Australia. I’m glad they’re monitoring him. Then we can wring our hands and jump up and down after he kills someone, unless he’s canny enough to simply be a media personality like his British counterpart.

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2. He’s a menace. He makes play of his Aboriginal ancestry – his father was an Aboriginal Australian convert to Islam, his mother was a born-Muslim whose second husband (after she divorced her first, using Australian infidel law to do so) took her off to Saudi Arabia with her two young sons, where said sons were steeped in Pure Islam, for years. Saudi Arabia deported him.

   I wonder whether, when busy doing dawa among Aboriginal Australians to try to persuade them that Islam is the cure for all that ails them, he says anything much about the Apostasy Law (that is, that if once you join Islam, you will not be permitted to leave, ever, on pain of death)? Or its ban on the keeping of pet dogs, or the sharia anathema upon ‘strings and flutes’ and, essentially, pretty nearly all music, sacred and profane, and all representational art, and sculpture? Because both pre-colonial and post-colonial Aboriginal Australian societies 1/ loved dogs (first the dingo, pups kept as pets; then the European dog, eagerly acquired, trained, and kept) and 2/ intensely practised and valued both music – instrumental and vocal – and the visual arts and, in some places, sculpture. Modern Aboriginal people have won acclaim as ballet dancers, as composers and performers in every imaginable style of western music as well as in their own traditional styles.

   Junaid Thorne is no longer entitled to call himself Aboriginal (Nyoongar tribe) any more than Samantha Lewthwaite is entitled to call herself an Englishwoman. Both he and she, ‘black’ and ‘white’, have chosen the Ummah, the Mohammedan Mob, and they have made themselves into janissaries of Arab Muslim imperialism.

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