New English Review
March 2022
Woman with a Parasol - Madame Monet and Her Son by Claude Monet, 1875
Articles
The Boots of H.G. Wells
Arrogance
The Man Who Moves Among Us: Reflections on Albert Speer
The Two-Sidedness of Mathematics
Living In Madigan-i-stan, After The Boss Squirrel’s Exit
Agamben on Covid: Between State of Exception and the Limits of Knowledge
The Mind is Not the Brain
Negative Action: The Moral Impossibility of Affirmative Action
Where Buddhism and Judaism Meet
The Memorials
“We know not Judah” – a discussion with Dexter Van Zile of CAMERA
Clap Your Hand: The Zen Koan Hoax
William B. Ruger’s Art Collection
A First Time
Apprentices of the Artist of All Artists
The Layman’s Guide to Classical Architecture, a review
The Psychology of Victimhood in the Oppression Olympics
I Could Eat a Horse, or Would I?
Ultranationalist appeasers: Le Pen, Mélenchon & Zemmour side with Russia: a discussion with Nidra Poller
Where do old journalists go to die?
If English was good enough for Jesus then it’s good enough for me*
The Elephant in Canada’s Press Room
93 And Not Dead Yet – Under Milk Wood
Stories & Poetry
Eþandun: An Epic Poem in Twelve Parts (Bk X)
The Return to Fresh Hell
Run!
Two Poems
The Stuff that Dreams Are Made Of
Two Poems
West Virginia Poetry
Tin Chairs, Part One
St Ansgar in the Prairies and the Frost
Priscilla
Two Poems
The Printer
Mrs. Tar, Chain Smoker with Style
Two Sonnets
The Master of Zeehorde
We are Almost
The Little Stolen Sheep by Friedrich von Hagedorn
Kiss Me
To A Boomer
Alienation – A Pocket Guide
The Outing
New English Review Press is a priceless cultural institution.
— Bruce Bawer
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